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Your
Ad Needs More Than A Nice Personality What
is the first thing that attracted you to your spouse,
girlfriend or boyfriend? Chances are, your initial
attraction was based on looks. We're all superficial to a
certain extent. We buy cars, clothing, furniture and houses
because of their visual appeal. We diet, work out and change
our hairstyles to look good. Yet
when it comes to advertising, there is a tendency to go for
the cheap date. An ad or a brochure doesn't necessarily have
to be visually stunning, but it shouldn't be a dog, either.
We're exposed to thousands of images every day. For your ad
to be noticed, it has to have more going for it than a nice
personality. Readers are exposed to thousands of ads a day
and only a few ads are going to catch their attention. If
your ad doesn't stand out, it doesn't stand a chance. Some
advertisers try to save money by having the publications in
which they are advertising design their ads for them. If
half of the ads in a publication are designed by the same
designer, half of the ads will look alike, so, of course,
your ad won't stand out. You don't want your ads to look
like anyone else's, but you do want a consistent look to you
communications materials. If you're advertising in more than
one publication, and you're relying on the publications'
in-house designers, every ad will look different. The
publications in which you advertise may have competent
in-house designers, but presumably they don't know you or
your firm as well as your advertising agency does, so they
are unlikely to do as good of a job for you. They are also
working under tight deadlines and don't have time to give
your ad the scrutiny your agency would give it. Regardless
of who's designing your ad, let your designer dare to be
different. If, for example, you're advertising in a
publication where color is rarely used, it's probably worth
the extra cost to add color to your ad. If your ad is the
only color ad on a page, it will be noticed. Signage
and Collateral Design
plays an important role not just in advertising, of course,
but in all types of visual communication. People in the real
estate industry tend to be frugal with signage and
collateral, even though they're selling high-priced goods.
The subdivision where I live is a good example. To sell
$300,000 homes, the builder initially put up a sign with
what looked like a third grader's interpretation of a
Christmas tree (He also named the street Hemlock Drive, but
that's another story). A
color brochure for the development also would have been
useful. I would have had a take-home piece to look at and
help me make my purchasing decision. Instead, I was handed a
photocopied flier. Can you imagine going into a car
dealership and being given a photocopied flier? I bought the
house anyway, because the house itself was nicely designed,
well built and in an ideal location. But for a fraction of
the cost of one of his houses, the developer could have put
together a communications program that would have helped him
sell his houses. Another
common design mistake is the tendency to use different
designers for different projects. Consider all of your
communications materials to be part of the same package.
They should share a common look. If you have a designer work
on a project for you then bring in someone else to work on a
second project, you can guarantee that it will look
completely different than the first project. Designers are
creative people and don't like to copy each other's ideas.
In some cases, I've even seen the firm's logo change from
piece to piece. As
important as design is to your communications materials,
keep in mind that communications should not be all style and
no substance. A striking design will attract readers to your
ad, but the copy has to hold their attention and deliver the
right marketing message. Ideally, you should strive for both
good looks and a nice personality.
David P. Kowal is President of Kowal Communications, Inc. of Northboro, Mass. He can be reached at kowal@kowal.com.
©1999 Kowal Communications, Inc. All rights reserved.
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